フィシスの波文

A journey led by patterns, far and deep.

Starting from the karakami patterns handed down for 400 years in Kyoto, Japan,
going around the world pursuing physis (nature as it is), which has been transformed into patterns since the Paleolithic period. Transcending time and space, you will see in between...

Beauty emerges at the midpoint of the physis and the human mind – by Shin-ichi Nakazawa

Story

Karacho is a traditional workshop in Kyoto. For 400 years, products and art called karakami, which are handprinted patterns on Japanese paper, have been handed down. This film begins from a scene of this workshop.

Since the Edo period (17th-19th century), Karacho has inherited wooden painting blocks, on which patterns with motifs of plants, clouds, swirls and ripples are carved. The film shows the work performed in the workshop: earth- and mineral-derived paint and mica are placed on the painting block to make patterns printed on washi paper. The karakami produced by repetition is breathtakingly beautiful; itself a form of nature, with movements, rhythms and coloring that emerge. The camera carefully captures the patterns, forms of nature, and the atmosphere.

Patterns have lived on in many places, like the Aoi Matsuri and Gion Matsuri festivals in Kyoto, temples, shrines, and tea ceremony spaces. Also, they are found in the line engravings on rocks in Italy from about 10,000 years ago, and in mosaics adorning ancient Roman cathedrals, as well as in the culture passed down among the Ainu people in Hokkaido, Japan. As if guided by patterns, places are connected across time and space, becoming a journey.

The film includes interviews with notable figures: an artistic director of Hermès, Akira Minagawa, designer of minä perhonen, and Hiroshi Tomura, a contemporary artist. They speak about their inspiration from nature and their own creations. The secret Ainu rituals and prayers to deities in the mountains show the relationships among people, nature and patterns.

A record of the journey through patterns, expanding from a small workshop in Kyoto to multiple layers around the world, will remind us again of the important senses that we have forgotten and the connection to the archaic layer of all humanity.

Trailer

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Schedule

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*This movie is screened only in Japanese.

Event Information

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Director’ Statement

写真:茂木綾子

Karacho's patterns are simple, sophisticated, and comfortable. Patterns found in human lives around the world seem mysterious, but are there all the time. I think that a long time ago, people regarded nature as gods, and the initial form of the pattern was created in their attempt to approach the beauty and power. Likewise, I have always been moved by the perfect beauty of nature, and I made this film empathizing with the activities of people who love nature, which have continued since time immemorial.
By Ayako Mogi, Director

Ayako Mogi (director, filmmaker and editor) Photographer and Videographer, winner of the Nobuyoshi Araki Award, 1992 Canon New Cosmos of Photography.
From 1997 worked in Munich, Germany, and from 2006 in La Corbiere, Switzerland. Moved to Awaji Island, Japan, and developed the activities of the artist community “Nomado-village” in 2009.
Major Works: Photo book “Traveling Tree” (AKAAKA Art Publishing Inc. 2013), and documentary films "Silent Color Silent Voice" (2008), "While We Kiss The Sky” (2015), “Zen For Nothing” (2015), and others.

Producer’ Statement

写真:河合 早苗

In 1990, I finished working for a design office in Milan, Italy, and I met the karakami patterns that have been handed down in the Karacho workshop in Kyoto, Japan. This encounter made me think of filmmaking. There, I saw 650 different sorts of karakami for the first time and found them breathtakingly beautiful. At the same time, I sensed the exotic scent included in the patterns. I was reminded of Celtic patterns or those found in ancient ruins in Italy.

Where did these patterns come from and why have so many of them remained for 400 years in Kyoto on the eastern edge of Eurasia? I thought that it would be possible to reach the origins of human creation by exploring these questions. I was fascinated with the wonders of patterns, and I wanted to document the journey chasing this mystery. This became my motivation for making this film.

Patterns easily transcend languages, borders and cultures. I hope that our encounter through the film will draw a trajectory and form a beautiful pattern, transcending all borders and spreading worldwide.

Sanae Kawai (producer)
Film Producer & Interior Product Designer. CEO, SASSO CO., LTD. 1986-1990 Worked at Studio Michele De Lucchi in Milan, Italy
1991 Returned to Japan and established Studio Sanae Kawai (product design, store and house design) in Kyoto. Involved in book publication project: ‘Work of Art by Karakamiya Choemon in Kyoto’ (『京都、唐紙屋⻑右衛⾨の⼿仕事』NHK Publishing, Inc., 2005).
2019 Established video production company SASSO CO., LTD. Planning, production, and distribution of video and digital content, as well as publication and seminar planning. Currently producing a documentary film on the theme “patterns and ornaments” in the world from ancient times to today.

Cast

写真:千田 堅吉

Kenkichi Senda, Karacho XI.

Born in 1942 in Kyoto. Graduated from Kyoto Institute of Technology and worked for a chemical trading company. Started to work at Karacho in 1970, succeeded as Karacho Karakamiya Choemon XI in 1976. Since then, engaged in karakami production for 54 years. Recipient of an Award from the Japan Traditional Cultures Foundation, recognized as a holder of selected conservation techniques of Japan. Awarded the Order of the Rising Sun, Gold and Silver Rays. Author of the book ‘Work of Art by Karakamiya Choemon in Kyoto’ (『京都、唐紙屋⻑右衛⾨の⼿仕事』NHK Publishing, Inc.) and more.

写真:千田 郁子

Ikuko Senda, Karacho

Involved in karakami production with her husband Kenkichi, who is now Karacho Karakamiya Choemon XI. Wrote a series of articles for the Kyoto Shimbun evening newspaper on the theme “Life with Karakami.” Established the Karacho Sanjo Salon and Karacho IKUKO Atelier Shop. Featured in the satellite program NHK Premium “Karakami: The Beauty of Millennium Designs.” (「唐紙-千年の文様の美」). Introduced in a feature article in the magazine Fujin Gaho. Author of ‘Karacho IKUKO’ (self-publication, kotokotosya, currently sold out).

写真:鶴岡 真弓

Mayumi Tsuruoka, Art Anthropologist

Professor Emeritus at Tama Art University, Tokyo. Finished graduate studies at Waseda University, Tokyo, and studied at Trinity College, University of Dublin. Served as Director of the Institute for Art Anthropology at Tama Art University and director of its museum in Tokyo, as well as Professor at Ritsumeikan University, Kyoto. Her speciality is the history of Celtic art and the culture and civilization. Wrote and translated many books, including ‘Celt/Decorative Thinking’ (『ケルト/装飾的思考』), ‘Celtic Art’ (『ケルト美術』), ‘The Mythology of Decoration’ (『装飾の神話学』), ‘The Decorating Soul’ (『装飾する魂』), and many more.

Pierre-Alexis Dumas (Artistic Director, Hermès)

A great-grandson of Émile Hermès, the third president of the Hermès group, and a sixth-generation member of the family. Studied visual arts at Brown University in the USA, and began his career in the Hermès group in 1992. Became Artistic Director in 2002 and has been Executive Vice President since 2005. In January 2016, was appointed President of the Board of the Musée des Arts Décoratifs, Paris.

写真:戸村 浩

Hiroshi Tomura (Artist)

Studied under Sori Yanagi of the Foundation Yanagi Design. After leaving this institute, started his career as an artist. Author of “The Structure of Basic Forms,” (「基本形態の構造」) “Forms in Dimensions,”(「次元の中の形たち」) and many others. Since around 1960, has produced art works based on mathematical principles, and works energetically to this day.

写真:皆川 明

Akira Minagawa (Designer, Founder of minä perhonen)

In 1995, founded minä, the predecessor of the present minä perhonen. Based on textile design with hand-drawn patterns and hand working, organizes production of clothing, furniture and vessels, and designs the spaces of stores and inns. Provides designs for international textile brands and illustrations for newspapers and magazines.

写真:門別 徳司

Atsushi Monbetsu (Ainu hunter)

Born in Monbetsu-cho (currently Hidaka-cho), Hokkaido. Experienced Ainu culture influenced by his father and began to learn about hunting with his friends. After obtaining a hunting license in 2012, joined the Biratori Ainu Culture Succession and Practice group. Now takes a leading position in ancient dance and life rituals and is actively involved in Ainu ceremonies and rituals, including promotion of passing of the Ainu culture of hunting, gratitude, and prayers to the next generation.

写真:貝澤 貢男

Mitsuo Kaizawa (Ainu traditional artisan)

Born in Biratori-cho, Hokkaido. Known as a woodcarver and appeared in the serial documentary works “The World of Yukar” (『ユーカラの世界』) produced by NHK.
Member of the Center for Ethnological Visual Documentation. Devoted himself to passing down Ainu craft techniques. His lifelong activities were evaluated by the Ainu Foundation for Ainu Culture in Sapporo, and he received the Ainu Culture Award for 2020. Passed away in 2023, 10 months after our film shooting.

Staff

写真:ウエヤマトモコ

Tomoko Ueyama/Recording and Sound Editing

Sound artist, CEO of asyl Co. Ltd.
Studio and Technical staff at Aichi University of the Arts,Department of Design and Craft,New Media & Image.
Focuses on the relationship between sound and people hidden in the world, is involved in sound installations, field recordings, workshops, and recordings & sound productions for film, as well as in teaching of media arts at several universities.
https://asyl.quest/

写真:フレッド・フリス

Fred Frith/Composer, improviser, multi-instrumentalist.

Best known as a pioneer of the extended electric guitar, his work has been performed by string quartets, contemporary ensembles and rock bands. Composed for many film sound tracks including Oscar-nominated Last Day of Freedom, and interacted with a range of collaborators across race and nationality. He is featured in the documentary film Step Across the Border (1990), cited as one of the most influential films of the 20thcentury by Cahiers du Cinema. Professor at Mills College in Oakland (1999-2018) and Musik Akademie Basel (2010-2020). Many interactions with Japanese artists: collaborations with Totsuzen Danball (1981), the drummer Toshiyuki Tsuchitori (1984), “China Boogie” (1985) by Toshinori Kondo, and the Ensembles Festival in Tokyo (2016). In 2009, participated in the soundtrack by Yoshihide Otomo for the NHK drama special “Jiro Shirasu.”

Main shooting locations

Karacho, Kyoto

Founded in 1624. The name Karakamiya Choemon has been used since the second master, and this long-established workshop has continued for 400 years in Kyoto as “Kyo-Karakami Karacho.” Filmed at the workshop, in which karakami-paper is produced by hand-printing. Currently, no one else in Japan produces karakami by hand-printing. In the workshop, about 650 wooden painting blocks have been handed down through the generations. Karacho’s karakami, a combination of patterns and ground color of the paper, decorates many spaces to this day: Katsura Imperial Villa, Nijo-jo Castle, cultural assets such as temples and shrines, tea ceremony spaces, and traditional wooden townhouses (so-called Machiya).

写真:唐長

Kurotani Area, Ayabe City, Kyoto Prefecture

Of the washi paper used for Karacho’s karakami, Kurotani washi is made by hand from high-quality Kozo (mulberry bark) in the area of Kurotani-cho and its surroundings in Ayabe City, Kyoto Prefecture. Kurotani washi is strong, durable, and suitable for long-term preservation. Washi paper has been produced for 800 years in this area, which is located in a valley that is rich in nature and through which the clear Kurotani River flows. The film focuses on the process of paper making in each season, from the cultivation and treatment of Kozo to processing, which is done almost entirely by hand.

写真:黒谷和紙の里

Naneizan Yogenin Temple, Kyoto

This temple was built to mourn the loss of Nagamasa Azai, the father of Yodo-dono, the concubine of Hideyoshi Toyotomi, a ruler in the 16th Century. It was destroyed by fire, but was rebuilt in 1621 and became a family temple of the Shogun family Tokugawa.
The temple is known for a painting on the cedar doors called “White Elephant” and a painting on the fusuma screens “Old Pine Trees on Rocks” in the main hall by Sotatsu Tawaraya. The karakami paper with a design called “Ganryu” (round dragons) on the fusuma screens of the main hall is said to have been made at the end of the Edo period (19th century) by Karacho, using wooden painting blocks handed down to this day. In 2020, we filmed the process in which Karacho XI installed the new fusuma screens with a karakami pattern called “Tenpyo Ogumo.”

写真:南叡山 養源院

Jubusan Kodaiji Temple, Kyoto

“Jinbaori: Bird and Beast Pattern Tapestry” (battle surcoat) owned by Hideyoshi Toyotomi still remains at Kodaiji Temple, which was established by his wife, Kodaiin, in Higashiyama, Kyoto. The jinbaori was tailored from Persian carpets brought by historical trading ships called Nanban-sen. It was filmed together with a narrative by Prof. Mayumi Tsuruoka: The animal fighting crest depicting a lion and a deer is highly symbolic, representing the meeting of the civilizations of the South and North, and the rebirth of life. Hideyoshi as a warrior and a ruler sought to gain power by wearing it.

写真:鷲峰山 高台寺

Nishimura Kinuorimono, Amami Oshima Island, Kagoshima Prefecture

Producer of kimono fabric Oshima tsumugi, with use of plants and trees in Amami as sources of dyes. Since ancient times, the patterns for Oshima tsumugi have incorporated the natural forms found on Amami Oshima Island. Their original Oshima tsumugi is produced with Karacho’s pattern in collaboration with Tonami Orimono, a long-established textile company in Nishijin, Kyoto. The film captures the careful process of dyeing threads with branches of the citrus tankan and weaving fabrics with the “Namban Shippo” pattern from Karacho.

写真:西村絹織物

Fugoppe Cave, 1st century BC - 4th century AD, Yoichi, Hokkaido

A site of ancient villages in the post-Jomon culture in Japan. The cave is located in Sakae-machi, Yoichi-cho, Hokkaido, and is thought to be a place where hunters and gatherers performed rituals and ceremonies. Cave murals have been found in only two locations in Japan, one of which is in this cave. More than 800 shapes, including human figures, people in animal costumes, boats, quadrupeds, and fish, are carved on the 7-meter rock wall, where peoples’ prayers from more than 1,000 years ago can be sensed.

写真:フゴッペ洞窟

Ainu Village, Nibutani, Hokkaido

Nibutani, Biratori-cho, Saru-gun, a birthplace of Ainu Culture. According to Ainu mythology, kamui (gods) descended to Nibutani and taught the people how to make tools for daily life and culture. Each village has inherited Ainu patterns that represent the characteristics of the community. These patterns are seen in embroidery on costumes, equipment for swords, and wood carvings of handicrafts. Wearing the costumes and swords, they dedicate dances and ceremonies to kamui. We filmed the scene.

写真:アイヌ集落

Rock Drawings in Valcamonica, Brescia, Italy

More than 140,000 line engravings are scattered across 70 kilometers of bedrock in a valley at the foot of the Alps in northern Italy. They are thought to have been carved by the Kamuni people around the 8th century B.C. With the introduction of writing, the rock drawings were once forgotten. They were rediscovered in 1929 and placed on the UNESCO World Heritage List in 1979. The shapes and patterns in the rock drawings show prehistoric customs and ideas.

写真:カモニカ渓谷

Basilica of Saint Mary in Cosmedin, Rome, Italy

Built in Rome in the 6th century, with the nave and other parts added in the 8th century. “Cosmedin” is the Latin word from which the words cosmos (universe) and cosme (beauty) are derived. The floor of the basilican church is covered with mosaics made of geometric patterns and colorful pyroxene stones, which represent the logic of the universe. According to Mr. and Mrs. Senda, the design is similar to the “Rinpo-mon” design of Karacho’s pattern.

写真:サンタ・マリア・コスメディン聖堂

We are grateful for the assistance of many people with regard to the filming locations: Kamigamo-jinja Shrine, Inabado Byodoji Temple, Koetsuji Temple, Tawaraya Ryokan (inn), Mushakouji Senke Kankyuan, Ryozanpaku (all in Kyoto), Ginza Maison Hermès and minä perhonen materiaali (both in Tokyo), and many others.

Credit

RIPPLES of PHYSIS
2023 / Japan / 85 min / Color, B&W / Stereo / 1.90:1 / DCP

Directed, Filmed and Edited by Ayako Mogi
Cast: Kenkichi Senda (Karacho Karakamiya Choemon XI),
Ikuko Senda (Karacho)
Mayumi Tsuruoka (Art Anthropologist)
Pierre-Alexis Dumas (Artistic Director, Hermès)
Hiroshi Tomura (Artist)
Akira Minagawa (Designer, minä perhonen)
Atsushi Monbetsu (Ainu hunter)
Mitsuo Kaizawa (Ainu traditional artisan) and others
Recording and sound editing: Tomoko Ueyama
Music: Fred Frith
Entitled by: Shin-ichi Nakazawa (Anthropologist)
Art Direction: Yuri Suyama
Producer: Sanae Kawai
Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Art Council
© 2023 SASSO CO., LTD.